| |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
"una
artista cien por cien que irà muy lejos"
Mª LUISA ANIDO, CIUDAD DE ALCOY, 1990. |
 |
“impecabile preparacione instrumentale, ... constante aderenza ai criteri
stilistici dell epoca, ...sensibile ricerca poetica.”
RUGGERO CHIESA, IL FRONIMO, 1992 |
 |
| “Escarpa held the audience under her seductive and bewitching spell. She indeed is a musical sorceress ... a star on the rise”.:Jeff Manookian, THE TRIBUNE, Salt Lake City (USA), 1995. |
 |
| "the best balance of intelligence and artistic style I have ever heard from a guitarist"
DAVID LETKEMANN, GUITAR MAGAZINE, Winnipeg, (Canadá), 1995. |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
"
The fact that the performance was note-perfect is entirely
overshadowed by the sheer musicality of the recital as a
whole. ...this artist´s innate musicality would be
evident in any piece she might choose to apply herself, ...
a talent of enormous stature. ... the spiritually uplifting
moments too numerous to catalogue here. ... I came away from
this performance convinced that great artist are born, not
made., and Segovia´s "God has placed a finger
on the brow " remark certainly applies to Ms Escarpa
as well as to the artist to whom the coment was originally
directed."
STEPHEN HOOKER, GUITAR NEWSLETTER, Toronto (Canada) 1995. |
 |
" exquisite recital, with an unusually beautiful sound and a mastery of musical nuance ....". Her music is clear, uncluttered, romantic, penetrating to the inner recesses and giving exquisite delight;"
COLIN COOPER, CLASSICAL GUITAR MAGAZINE 1997 |
 |
| “extraordinary perfection” Rüdiger SCHERPING, GUITARRE UND LAUTE. GERMANY 1998” |
 |
|
 |
|
 |
 |
 |
 |
 |
 |
 |
|
|